from Lumpen magazine (2008)
I gave up on my aspirations of being a professional comic artist around the age of nine, but I’ve continued to make comics anyway, in a haphazard manner. My creative pursuits generally are more compulsion than calculation, but drawing comics is a particularly reptilian reflex: my earliest work dates back to age three (a scuba-diving adventure– I figured that setting it underwater would save me the trouble of having to write dialogue, which was my artistic weak point at that age). I’ve kept at it, creating comics sporadically over the years, and I’ve been lucky enough to stumble into avenues for publication pretty consistently. Having gotten this far, why not keep going with it? But then, seen from another perspective: having never pursued it, why bother?
The “meaninglessness” problem is, admittedly, a pretty lightweight sort of problem. It is a first world discomfort that boils down to too much time to think; when you are foraging for survival you don’t have time for ennui. The marginally employed group of young adults hanging out at parties and wringing their hands about the future– my peer group when I drew this, thirteen years ago– has graduated on to being methadone addicts, advertising executives, college professors, artists, parents, alcoholics, full-time publishers of radical anarchist literature. People pick their paths, and they all have something to recommend them. If you have the problem that you can’t pick, if all you can do is pick everything apart, rest assured that the range and sophistication of pharmaceuticals designed to narrow your focus and get you on track has only increased exponentially in the last years.




















